Kyojuro Rengoku and Senjuro Rengoku and the husband of Ruka Rengoku. He formerly served as the Flame Hashira (炎 (えん) (ばしら), En Bashira?) of the Demon Slayer Corps. Shinjuro strongly resembles his sons, Kyojuro Rengoku and Senjuro Rengoku, possessing unruly orange hair that flares out around his face, becoming redder near the ends above his ears, that he wears messily tied back behind his head. He has fair skin, bushy black eyebrows and bright, orange eyes that redden near the pupils, that are slanted inwards and shaped so as to give him a furious appearance. Shinjuro wears a traditional kimono robe. When he was the Flame Hashira, he also wore the haori with flame-like ridges at the end that Kyojuro wore when he was the Flame Hashira. In the Infinity Castle Arc, he is shown with a katana with a flame guard similar to Kyojuro's, with what appears to be a flame pattern on the sheath. Shinjuro is a very short-tempered man, especially when regarding the Demon Slayer Corps and his son, Kyojuro, with the mention of either causing him to grow furious. He appears to be abusive, harshly insulting the recently deceased Kyojuro and knocking Senjuro to the ground during his fight with Tanjiro. He is also an alcoholic - his first action upon crewing after being knocked out by Tanjiro is to buy alcohol, and he is often seen drinking with sake.
Shinjuro has feelings of inferiority, which stemmed from reading the chronicles of the past Flame Hashira, where Sun Breathing is described as the original and most powerful breathing style. He mocked the other styles as "cheap imitations" of Sun Breathing and accused Tanjiro of coming to their residence to mock them for his superiority, after recognising his Hanafuda earrings. However, it is later revealed that Shinjuro truly cared for Kyojuro despite what he said to Tanjiro, and the memory of Kyojuro causes Shinjuro to begin breaking down in tears. He later defends Kiriya and the rest of the Ubuyashiki Family with Tengen Uzui and vows to follow Kyojuro's example and not to bring shame to the Rengoku family. After his wife's passing, Shinjuro began drinking while doing duties as a Hashira and eventually encountered Hairo who he, in a drunken rage, proceeded to cut various parts of his body without ever cutting his head whilst lamenting on why his wife had to die yet Hairo, a demon, managed to survive and that he sees that all the things he's done as utterly pointless and proceeded to tell Hairo that he was a coward despite being a demon and questions him if he really wants to keep escaping like a coward until he dies. He once saved a young woman and her daughter from being harmed by a demon, using Flame Breathing, First Form: Unknowing Fire. That woman would remember his actions once more when she and her granddaughter was saved again by Kyojuro.
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Shinjuro saved a young Obanai Iguro from the Serpent Demon and reunited him with his cousin. Nonetheless, due to his cousin's attitude, Shinjuro had to separate them. Before retiring as the Flame Hashira, Shinjuro tore apart the Generational Flame Hashira Record of the Rengoku family. In Kyojuro's Blood Demon Art-induced dream aboard the Mugen Train, Shinjuro first appears, lying on the floor of their house and gazing out of the open doors at the garden. Kyojuro remembers that he's supposed to have just reported to him that he has become a Hashira and his father, unimpressed, says that it was pointless because neither himself nor Kyojuro can ever become great people. Kyojuro recalls that Shinjuro wasn't always this dismissive and that he used to be a man of great skill and passion for demon slaying, but suddenly, one day, the man, who had raised himself and Senjuro Rengoku so passionately, simply gave up on the blades. Shinjuro appears once again after the battle with Enmu, Lower Rank One of the Twelve Kizuki, and Akaza, Upper Rank Three. He suddenly appears from his house, yelling that what Tanjiro's come to tell them is useless and belittling and cursing Kyojuro for becoming a Demon Slayer since he always knew it would just get him killed. Tanjiro and Senjuro are shocked by his words, but remain silent as he continues to rant about how people's powers are already decided for them at birth, but Kyojuro still went and became a Demon Slayer despite the fact that he had none. At the sound of these sharp words, tears begin to form in Senjuro's eyes, but, instead of stopping and comforting his son, Shinjuro tells him to stop making that pitiful expression since the funeral is already over.
39;s just been beaten down.
Angered by this display of cruelty, Tanjiro asks Shinjuro to stop talking to and about his sons in that way, which only causes the latter to turn his attention to him and yell at him to get off his property, and, defiantly, Tanjiro says that he is a Demon Slayer. Shinjuro strikes his son. The container Shinjuro is holding smashes to the ground as he considers what this could mean, and, jumping to the first conclusion that comes into his mind, he angrily asks Tanjiro if he is a Sun Breathing user. Without waiting for an answer, Shinjuro swiftly attacks Tanjiro and pins him to the ground, forcefully slapping Senjuro away when he tries to pull his father off the injured Demon Slayer. While Shinjuro is distracted by his son, Tanjiro swiftly delivers a blow to his face, forcing him off of him, and, as Tanjiro's patience has finally worn thin, furiously asking him what the hell he's been doing, badmouthing Kyojuro, who gave up his life, and then hitting the only son he has left. Shinjuro shouts that he knows Tanjiro is just mocking him because he's a Sun Breathing user who's just full of himself because he can use the original Breathing Style, and Tanjiro shouts back that he can never get full of himself because of how badly he's just been beaten down. Running at Shinjuro, the young Demon Slayer tells him never to speak ill of Kyojuro again.
After Tanjiro leaves, Senjuro returns to the house and finds Shinjuro drinking on the porch.
Senjuro tries to warn him that Shinjuro is a former Hashira, but, because he's being driven by so much anger and sorrow, Tanjiro continues to charge at him. Shinjuro hits Tanjiro's face, ignoring the yells of protest from his son, and begins to repeatedly land blows on Tanjiro's body until the young Demon Slayer hits him square in the jaw with a spiralling headbutt, causing them both to fall down on top of each other. After Tanjiro leaves, Senjuro returns to the house and finds Shinjuro drinking on the porch. Upon hearing Senjuro's voice, Shinjuro immediately lashes out and shouts for him to leave; however, before Senjuro leaves, he says Kyojuro's last message: "please take care of your body." Shinjuro then puts down his drink and breaks down in tears over Kyojuro. Following Kagaya Ubuyashiki's death and Upper Rank Four Nakime's summoning of the Infinity Castle, Shinjuro is seen sitting in the Butterfly Mansion alongside former Sound Hashira Tengen Uzui. He praises Kiriya Ubuyashiki's ability to command the Demon Slayer Corps even after his father's death, and silent vows to follow Kyojuro's example and risk his life for their protection and to not bring shame to the Rengoku family. Overall Abilities: Due to his status as the former Flame Hashira of the Demon Slayer Corps, it can be assumed that Shinjuro is an extremely powerful swordsman. In a brief fight, he was able to completely overwhelm Tanjiro in hand-to-hand, but was eventually knocked out with a powerful headbutt. He was noted by Tanjiro for not "move like an average person", hinting to his above average physical abilities as a trained/seasoned demon slayer. Flame Breathing (炎 (ほのお) (こ) (きゅう), Honō no kokyū?): One of the core Breathing Styles, this style ran in the Rengoku family since the invention of Breathing Styles and is passed eventually passed down to his son, Kyojuro. Shinjuro's entire first name contains the On'yomi reading for the kanji for "twig, yew plum pine" (槇, shin?), "longevity" (寿, ju?) and "son, male" (郞, rō?). Kimetsu no Yaiba First Fanbook.
The series is published in English by Kodansha USA under the Kodansha Comics imprint.
The Quintessential Quintuplets (Japanese:, Hepburn: Go-Tōbun no Hanayome, lit. Japanese manga series written and illustrated by Negi Haruba. It was serialized in Kodansha's Weekly Shōnen Magazine from August 2017 to February 2020, with its chapters collected into fourteen tankōbon volumes. The series follows the daily life of a high school student Futaro Uesugi, who is hired as a private tutor for a group of identical quintuplets: Ichika, Nino, Miku, Yotsuba, and Itsuki Nakano. At the very beginning of the story, it is shown that the events are being told in a flashback, while an adult Futaro prepares to marry one of the Nakano Quintuplets whose identity is only revealed near the end of the series. The series is published in English by Kodansha USA under the Kodansha Comics imprint. The anime series is licensed in North America under a Crunchyroll-Funimation partnership. An anime television series adaptation produced by Tezuka Productions aired from January to March 2019 on TBS and other channels. The series is a commercial success, being the 5th best-selling manga in 2019, and the 3rd best-selling manga in the first half of 2020 in Japan. In 2019, the manga won the award for the shnen category at the 43rd annual Kodansha Manga Awards. High school student Futaro Uesugi is an academically gifted student that leads a difficult life-his mother has died, he has no friends, and on top of all that, his father has incurred a large amount of debt. An opportunity presents itself when the rich Nakano family transfers to his school.
Futaro is promptly hired as a highly paid tutor. However, much to Futaro's dismay, he discovers that his five charges-identical quintuplet sisters of varied personalities-have no interest in studying at all and have abysmal grades. Some of the quintuplets are against having Futaro, whom they view as a stranger, in their apartment, but Futaro's diligent tenacity gradually convinces those girls to accept him and to improve their grades. Throughout the series, Futaro develops special relationships with each of the quintuplets. Through a flashforward, it is revealed that he eventually marries one of them, but her true identity is only revealed near the end of the series. The idea of "a group of quintuplets falling in love with the same person" existed even before the serialization of Haruba's previous work, Karma of Purgatory (2014-2015), but was very simple at that time. The idea was denied by his editor-in-charge. A year after, after the end of Karma of Purgatory, he discussed with his editor-in-charge what to serialize next.
Among the few ideas being come up with, the "quintuplets" idea was included again, which was accepted by the editor this time. After failures in two to three serialization committees, finally, it was decided to have a one-shot manga published first. The one-shot received positive reviews and therefore went on to serialization. It was decided the protagonist should be quintuplets at the very beginning. When later the idea of quadruplets and sextuplets was raised, it was rejected very quickly, around 30 seconds. Haruba said it might be a reference to Super Sentai when he came up with this idea. Similar to Super Sentai, Ichika (yellow), Nino (black), Miku (blue), Yotsuba (green), and Itsuki (red) are all represented by a color. The design of the quintuplets started from his favorite existing female characters from "some slice-of-life works only with girls", around 15 to 20 of them. The idea of adding numbers in their names was after the design was almost confirmed.
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The hair color of the Nakano quintuplets is different when being colored, which was suggested by Haruba himself, such that they are more distinguishable from each other. The hair color of the bride in the flashforward is, therefore, a colour-in-between. The flashforward showing that Futaro will eventually marry only one of the Nakano quintuplets was added in order to eliminate the possibility of Futaro marrying all five of them. It was also decided that all quintuplets would have negative feelings towards Futaro from the beginning, because Haruba wanted to write how their relationships improved from hate to love in the story, except Yotsuba, who acts as Futaro's guide for the development of the story. While it is often the norm for harem romantic comedy manga to have sexualized depictions of characters, Haruba has said that he tried to avoid this to some extent after Vol. In his opinion, showing panties which are being worn, ieTo keep the characters interesting, the sexy scenes were intended by him to be ambiguous but not straightforward, leading to readers' imagination. The swimsuit appearance of the Nakanos was finally revealed in Ep.
92 as Haruba thought an episode of swimsuits should exist before finishing the story. The Quintessential Quintuplets is written and illustrated by Negi Haruba. Before the serialization, a one-shot manga of the same name had been published in 2017 issue 8 of Kodansha's Weekly Shōnen Magazine on August 9, 2017, and received positive comments. On December 4, 2019, Haruba announced that the series would end on its 14th tankōbon volume. The series finished on February 19, 2020, with a total of 122 chapters. The series has been published in English by Kodansha USA under their Kodansha Comics imprint digitally since June 28, 2018, with a line of physical releases beginning publication on January 1, 2019. By August 2020 and July 2021 respectively, all fourteen volumes have been published digitally and physically. In October 2017, a television commercial for the manga was released where Ayane Sakura voiced all five girls. The series is directed by Satoshi Kuwabara and written by Keiichirō chi, featuring animation by Tezuka Productions, character designs by Michinosuke Nakamura and Gagakuga, and music by Natsumi Tabuchi, Hanae Nakamura, and Miki Sakurai. The series aired from January 10 to March 28, 2019 on the TBS, SUN, and BS-TBS channels. The series ran for 12 episodes. Crunchyroll streamed the series with Funimation providing the English dub as it airs. Although Tezuka Productions was the main animation studio behind the series, TBS producer Junichirou Tanaka stated that he asked for help from Shaft president Mitsutoshi Kubota for assistance in producing the series' 11th episode. It was ultimately decided that the studio would be outsourced to for the entire episode save for the episode's storyboards, which were drawn by series director Satoshi Kuwabara; however, all other animation, coloring, and compositing aspects of the episode were produced entirely at Shaft.