Novel is a type of literary work in the form of prose. The story in the novel is a work of imagination that discusses the problems of a person's life or various characters. The story in the novel begins with the emergence of problems experienced by the character and ends with solving the problem. Novels have more complicated stories than short stories. The characters and places that are told in the novel are very diverse and cover a long time in the story. The characterizations in the novel highlight the character and nature of each actor in the story told. Novels consist of certain chapters and sub-chapters according to the story. Novelists are called novelists. The novel genre is described as having "a continuous and comprehensive history spanning some two thousand years". This view sees the novel as having its origins in Classical Greece and Rome, the Middle Ages, the beginning of modern romance, and the tradition of the novella. Novella is an Italian term to describe a short story, which has been used as a term in English today since the 18th century. Ian Watt, a historian of English literature, wrote in his book The Rise of The Novel (1957) that the first novels appeared in the early 18th century. Miguel de Cervantes, author of Don Quixote, is often cited as the first leading European novelist of the modern era. Romance is a long prose narrative closely related to the novel. In the Big Indonesian Dictionary, romance is a prose essay that describes the actions of the perpetrators according to the character and content of each soul. Walter Scott defines it as "a fictional narrative in the form of prose or rhyme. The goal is to make the events in it extraordinary and rare events", while in the novel "the events are a series of real events that commonly occur in human life and the current state of society. that".
Novels are long fictional narratives that tell the human experience more closely.
The romances mentioned here are different from popular fiction romance romances or romance novels. Characters, actors in the story. Plot or plot, a series of events arranged based on a causal relationship. Setting or setting is a picture used to place events in a fictional story. State the place, time, and atmosphere. Mandate, the message the author wants to convey. Point of view or point of view, it doesn't matter who is telling the story. Novels are long fictional narratives that tell the human experience more closely. Novels in the modern era usually use the literary prose style and the development of this prose novel has now been supported by innovations in the printing world and the introduction of cheap paper in the 15th century. The word comes from the Italian novella meaning "new", "news", or "short story about something new", and the word itself comes from the Latin novella, the plural form of novellus, which is abbreviated as novus, meaning "new". Fictionality is the most frequently cited difference between novels and historiography, but this criterion can be problematic. In the early modern period, historical narrative writers often included ideas rooted in traditional beliefs to embellish parts of a story or add credibility to an opinion. Historians have also created a similar style of writing for didactic purposes. On the other hand, novels can describe the social, political, and personality realities of a place and time period with clarity and detail not found in historical writings. Even in the 19th century, fictional narratives in poetry, such as Lord Byron's Don Juan (1824), Alexander Pushkin's Yevgeniy Onegin (1833), and Elizabeth Barret Browning's Aurora Leigh (1856), competed with prose novels.
However, critics in the 17th century saw the length of the romance epic and the novel as competing.
Vikram Seth's The Golden Gate (1986) is an example of a recent rhyme novel. In both the 12th century in Japan and the 15th century in Europe, prose fiction created a closer reading situation. On the other hand, rhyme epics, including the Odyssey and Aeneid, have been read to a select audience, this is closer to that of a theatrical play. A new world of individualistic fashion, personal views, intimate feelings, secret desires, "behavior", and "courtesy" spread with related novels and prose romances. Novel is currently the longest genre of narrative prose fiction, followed by novellas, short stories, and flash fiction. However, critics in the 17th century saw the length of the romance epic and the novel as competing. It is not possible to establish a precise definition of the difference in length between the two types of fiction. The length of a novel is still important because most literary awards use length as a criterion in the scoring system. Tells some of the extraordinary life. The occurrence of conflict to cause a change of fate. There are several plots or storylines. There are several incidents that affect the storyline. The character or characterization is described in depth. Picaresque novels. Episodic novel.
Contains stories of eccentric adventures and stories of extraordinary heroism. For example, the adventure novel series, Engaged in Trowulan and Engaged in Bromo by Dwianto Setyawan or heroic novel series such as Gajah Mada by Langit Kresna Hariadi. Epistolary novels. The form is like a letter, journal or diary. His writing style is popular. There are now quite a number of this type of novel, one of which is Dyan Nuranindaya's Dealova. Historical novels. In Indonesia, it is often called a historical novel, that is, a novel with a historical background. For example, Pramodya's Children of All Nations, Roman Revolution by Ramadhan KH, Secrets of Meede by ES Ito. Regional novels. A novel that takes place in a certain area. An example is Cintaku di Kampus Biru. Ashadi Siregar's work, which was published in 1974 and has undergone its 10th reprint, is an example of a regional novel. Because the novel takes the setting of the UGM Yogyakarta campus. Bildongs romance. Lughawi, this term which comes from German means developmental novel. This type of novel takes the developmental setting of children, including fictional autobiographies.
An example is Laskar Pelangi by Andrea Hirata.
Charles Dickens' novel Great Expectations is one such example. Roman a these. Literally, this term from French means novel of argument. This type of novel in Indonesia can be found from the work of Parakitri T. Simbolon, Kusni Kasdut. Roman a clef. Linguistically, this French term means novel that has a special key. Novels written based on imagination on the one hand and combined with hidden human characters on the other. For example, the novel Point Counter Point by Aldous Huxley. Roman-fieuve. Literally, this French term means current novel. The theme and scope of the novel's characters is wide and long, forming several series of novels. For example, the Ballad of Si Roy by Gola Gong can be an example in Indonesian novels. Non-fiction novels. Novels written based on true stories and actually happened, although not exactly the same. An example is Laskar Pelangi by Andrea Hirata. The term novel is a truncation of the Italian word novella (from the plural of Latin novellus, a late variant of novus, meaning "new"), so that what is now, in most languages, a diminutive denotes historically the parent form. The novella was a kind of enlarged anecdote like those to be found in the 14th-century Italian classic Boccaccio's Decameron, each of which exemplifies the etymology well enough. Kosasih, E. (2008). Indonesian Literature Appreciation (PDF). Jakarta: Nobel Prize in Education. p. Merriam Webster Inc., ed. 1995). "novel". Merriam-Webster's Encyclopedia of Literature (in English). Springfield, Massachusetts: Merriam-Webster. p. Prose Works volume vi, p.
129, quoted in "Introduction" to Walter Scott's Quentin Durward, ed. Susan Maning. Oxford: Oxford University Press, 1992, p. Walter Scott's Quentin Durward, ed. Susan Maning, p. xxv-xxvii. Moers, Ellen (1977). Literary Women: The Great Writers (in English). McCrum, Robert (13-01-2014). "The 100 best novels: No 17 - Moby-Dick by Herman Melville (1851)". The Guardian (in English). Suryaman, Maman; Suherli; Istiqomah (2018). Indonesian. Jakarta: Ministry of Education and Culture. Nurgiyantoro, Burhan,. Fiction study theory. Burgess, Anthony. "Novel". Encyclopædia Britannica (in English). Lukács, György (1971). The Theory of the Novel: A historico-philosophical essay on the forms of great epic literature (in English). Translated by Anna Bostock. Cambridge, Massachusetts: The MIT Press. Science Fiction and Fantasy Writers of America, Inc. Wicaksono, Andri (2017). Study of Fiction Prose (revised edition). Bahry, Salman El (2019). EARNING BILLIONS OF RUPIAH FROM WRITING: ANYONE YOU CAN BE A WRITER. Yogyakarta: MEDIA SPACE. p. Ballaster, Ros (1992). Seductive Forms: Women's Amatory Fiction from 1684 to 1740. Oxford: Clarendon Press.
Why Manga Doesn't Work For Everybody
Moon Breathing (月 (つき) (こ) (きゅう), Tsuki no kokyū?) is a Breathing Style derived from the Sun Breathing used by Upper Rank One, Kokushibō, who was one of the first Demon Slayers who utilized breathing techniques. The techique allows the user to create many "chaotic blades" when slashing that varies in length and size. It is known that Kokushibō continued to develop and add techniques to the Breathing Style over the centuries as an immortal Demon. At this point in the story, it is the only known Breathing Style to possess at least 20 different techniques, easily surpassing the other Breathing Styles. It has been revealed that, like all of the other original breathing styles, the Moon Breathing also branched out of the Sun Breathing. When its creator, Michikatsu Tsugikuni, attempted to learn the Sun Breathing from his twin brother, Yoriichi Tsugikuni, he discovered he was unable to master the breathing style and so was instead trained in an alternate Breathing Style. Yoriichi created it fit and cover his individual strengths and weaknesses, and Michikatsu then continued to train and develop this breathing until it eventually evolved into its own unique Breathing Style, which he named the Moon Breathing.
First Form: Dark Moon, Evening Palace (壹 (いち) (かた) (やみ) (づき) (よい) (みや), Ichi no kata: Yamidzuki - Yoi no Miya?) - Kokushibō draws his sword and slashes swiftly in a single motion; like with all Moon Breathing techniques, numerous chaotic blades originate from the slash. This technique resembles Iaijutsu. Second Form: Pearl Flower Moongazing (貳 (に) (かた) (しゅ) (か) (ろう) (げつ), Ni no kata: Shuka no Rōgetsu? ) - Kokushibō performs several slashes while sending a barrage of chaotic blades forward. Third Form: Loathsome Moon, Chains (參 (さん) (かた) (えん) (き) (づき) (つが), San no kata: Enkizuki - Tsugari?) - Kokushibō swings his sword rapidly in two gigantic crescents slashes, from which a storm of smaller crescents spread.
This technique causes huge destruction in a small area. Fourth Form: Solar Rings, Frostmoon (肆 (し) (かた) (たい) (よう) (りん) (しも) (づき), Shi no kata: Taiyōrin - Shimodzuki?) - Kokushibō performs a circular small cyclone slashes of chaotic blades straight towards his opponent. Fourth Form: Improved, Red Sun over Paradise (肆 (し) (かた) (かい) (あっき) (よう) (らく) (えん), Shi no kata kai: Akk' yō Rakuen?) - Kokushibō spins his blade slicing through the ground and ripping it out. Causing multiple 180 slashes across the area to be sented towards his opponents as chaotic blades appear when near the enemy slicing into their body. As the circular slashes spin grinding into the enemys skin.