What Happens In Sousei No Onmyouji

Omnyouji's story is in short, arduous. Spanning 50 episodes of content, what we're given as a plot is, in simple terms, a slew of shonen tropes that span from the power of friendship, all the way to wanting to save everybody, and sudden bursts of power because, plot convenience. Despite being an adaptation of a relatively popular series, Omnyouji doesn't have much to offer. It becomes painfully easy to see what comes our way, and a lot of what it is boils down to ham-handed philosophies of two opponents fighting each other with fists clenched while shouting each other's names. Rinse and repeat that process over twenty times over, and you have what roughly equals to the entire show's runtime in a flash. The main attributer as to why the show is so devoid of any originality or interesting developments is because, rather than following what the manga had already mapped out for Perriot to adapt, the studio decided to take a different turn and by Episode 20, change the show's path down an anime original path that has no connection to its original source material at all. This proved to be a very big contributor as to why the show has such big flaws with its story, as the saga we're introduced to turns the show into a display of power as our protagonists "get stronger" as more and more opponents get introduced for no other reason than to make the penultimate plot of "The end of the world is coming" a reality for the end so that the show would have some form of grand finale.

Another problem comes with how I feel as though the show had too much time. Most often than not, the case of screentime boils down to not having enough time for a series in order to tell the story that was intended. Many episodes felt like throwaway episodes, as the show would squander its screentime with flashbacks that have already been shown many times over, recaps of what happened in the last ten or so episodes, or would have episodes solely dedicated to talking just to fill up the twenty-four minutes that were allotted for the episode. As such, episodes like this added to the weariness of how Omnyouji displayed itself, making the what was already tedious, even more tedious to watch. Omnyouji's problems arose when trying to milk what had already been drained dry. The show doesn't try anything new in the realm of shonen anime, as the roughly twenty five hours it takes to watch this series can be described with just a tropes that almost every shonen anime uses in its plotline.

39;s about where the positives end.

That, combined with how slow some of the episodes feel, and how predictable everything is, ultimately creates a tiring experience that isn't worth the time or effort to have. Characters: Likewise, characters have the similar problem with being your run of the mill shonen tropes without what seems like little to no thought with how to make them interesting beyond what they're given. Both of our main characters, Enmado Rokuro and Adashino Benio start off the series hating each other's guts. With the series intentionally pairing them up in order to bring the Miko into the world, it's no surprise by what the end result of the series becomes. The pair of Omniyouji are as expected. You have the reckless, brash boy who listens to no one and wants to get stronger with his own strength and his own merits, and you have the girl who doesn't like the boy (at the beginning) who also wants to get stronger and basically has the exact same goals that the boy does. The character progression for the relationship between these two is noticeable and gradual, which is something that I believe that the show does well on. However, as far as everything else is concerned, that's about where the positives end. Their goals are nothing special, their progression is somewhat minimal, and the show makes it very hard for them to lose. They may struggle, but everything turns out extremely ok at the end.

They're boring. They're boring because the show doesn't even attempt to make their pains and struggles seem minimal when everything just comes to them so easily, and it becomes very hard to care for characters who despite everything, have plot armor so thick that not even someone who is virtually god can't break through it. As far as villains go, most if not all can be described as characters who have a single goal that serves as an obstacle that can easily be overcome once given enough episodes. Become the best, take over the world, destroy humanity; all of these goals have been done over and over again in more interesting ways that have been displayed here. It doesn't help that the villains spend more time talking than executing their evil plan, or hell, let the protagonist live when they could easily kill them, so they become minor hurdles that the characters have to jump over to continue on with the story. Side characters are a wide bunch that, like most long-running shonen series, are either the friends that the main protagonists are fighting for, and are the less than stellar characters of the same kind who will never amount to anything when compared to the feats that the main protagonists have achieved. They're your standard group of side characters in a shonen series, and there're very few if any noteworthy characters to talk about since they're largely tropes like; the third wheel, the mentor, the annoying mascot, and rivals.

Art: Perriot's art shines as an example of inconsistency and quality issues. While normally the show has a lot of blunt and bright colors that are less than stellar in quality, the main problem with Omnyouji's art is how consistent the company is with making their scenes. When the show wants to, the lighting and the shadows can make the scene look good enough to actually look good. However, when the show doesn't want to, the art looks like a mess of colors combined with clear flaws in the details when it comes to the characters' appearance. Fight scenes in a supposedly action heavy series are mostly characters standing and talking about each of their side and philosophies while not mercilessly beating the crap out of each other. A one-two punch, a lot of talking, some more punching, a lot more talking, and end the fight. The fight scenes hardly have any 'fight' in them, so they feel very disengaging and unexciting to watch. Sound: Omniyouji's soundtracks are not memorable. Being roughly 4 cours long, the show has 4 pairs of OPs and EDs that help run the show's opening and ending bits to section off each of the four parts that the show's in. Despite having watched all of the songs in full, none of the tracks stick out to me in my head as something that was both enjoyable or memorable. So if you ask me, the tracks are not worth your time.

Personal Enjoyment: It's been about a year since I started watching the first episode, and I honestly can't remember the reason why I even started it in the first place. Coming out of it though, Omnyouji stands as a show that ultimately was a huge waste of time. Nothing about it made me excited about watching the next episode, and slogging through episode after episode felt like a tiring excavation to find any glint of originality to make me interested in the series. The shift from the source material certainly didn't help its case, as the random encounters with new anime-original villains didn't do anything but make the series even more difficult to like. Did I like this series? For me, there's nothing to like. You can find better examples of everything this show did elsewhere. What didn't I like about this series? Though I'm tempted to say 'everything', the biggest problem I had was with Benio's shikigami, Kinako. Kinako's high screechy voice shouting at the top of his lungs was like nails on a chalkboard. He wasn't cute, was extremely annoying, and became a huge hindrance to the series because his constant shouting and attempts at 'helping' had me in a tizzy on whether or not I should finish the show, or quit halfway. Would I recommend this anime? To me, Omyouji is not worth it. Reusing almost every shonen trope that exists, Omnyouji's adaptation has almost nothing original about it as its mostly anime-original plot turns its 50 episode runtime into a bingo game to see if you can get a bingo from all of the tropes that they shove into the series. Its lack of originality makes it a tiring experience to have, and I for one am thankful that it's over. Because there is no way I'm ever going to watch a 50 episode on-going series ever again.

Detailed Notes on Manga In Step by Step Order

The Quintessential Quintuplets (Japanese:, Hepburn: Go-Tōbun no Hanayome, lit. Japanese manga series written and illustrated by Negi Haruba. It was serialized in Kodansha's Weekly Shōnen Magazine from August 2017 to February 2020, with its chapters collected into fourteen tankōbon volumes. The series follows the daily life of a high school student Futaro Uesugi, who is hired as a private tutor for a group of identical quintuplets: Ichika, Nino, Miku, Yotsuba, and Itsuki Nakano. At the very beginning of the story, it is shown that the events are being told in a flashback, while an adult Futaro prepares to marry one of the Nakano Quintuplets whose identity is only revealed near the end of the series. The series is published in English by Kodansha USA under the Kodansha Comics imprint. The anime series is licensed in North America under a Crunchyroll-Funimation partnership. An anime television series adaptation produced by Tezuka Productions aired from January to March 2019 on TBS and other channels. The series is a commercial success, being the 5th best-selling manga in 2019, and the 3rd best-selling manga in the first half of 2020 in Japan. In 2019, the manga won the award for the shnen category at the 43rd annual Kodansha Manga Awards. High school student Futaro Uesugi is an academically gifted student that leads a difficult life-his mother has died, he has no friends, and on top of all that, his father has incurred a large amount of debt. An opportunity presents itself when the rich Nakano family transfers to his school.

39;s diligent tenacity gradually convinces those girls to accept him and to improve their grades.

Futaro is promptly hired as a highly paid tutor. However, much to Futaro's dismay, he discovers that his five charges-identical quintuplet sisters of varied personalities-have no interest in studying at all and have abysmal grades. Some of the quintuplets are against having Futaro, whom they view as a stranger, in their apartment, but Futaro's diligent tenacity gradually convinces those girls to accept him and to improve their grades. Throughout the series, Futaro develops special relationships with each of the quintuplets. Through a flashforward, it is revealed that he eventually marries one of them, but her true identity is only revealed near the end of the series. The idea of ​​"a group of quintuplets falling in love with the same person" existed even before the serialization of Haruba's previous work, Karma of Purgatory (2014-2015), but was very simple at that time. The idea was denied by his editor-in-charge. A year after, after the end of Karma of Purgatory, he discussed with his editor-in-charge what to serialize next.

Among the few ideas being come up with, the "quintuplets" idea was included again, which was accepted by the editor this time. After failures in two to three serialization committees, finally, it was decided to have a one-shot manga published first. The one-shot received positive reviews and therefore went on to serialization. It was decided the protagonist should be quintuplets at the very beginning. When later the idea of ​​quadruplets and sextuplets was raised, it was rejected very quickly, around 30 seconds. Haruba said it might be a reference to Super Sentai when he came up with this idea. Similar to Super Sentai, Ichika (yellow), Nino (black), Miku (blue), Yotsuba (green), and Itsuki (red) are all represented by a color. The design of the quintuplets started from his favorite existing female characters from "some slice-of-life works only with girls", around 15 to 20 of them. The idea of ​​adding numbers in their names was after the design was almost confirmed.

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