What Genre Is Monster Anime

Monster (stylized as M⊙NS†ER) is a Japanese manga series written and illustrated by Naoki Urasawa. It was published by Shogakukan in their Big Comic Original magazine between 1994 and 2001, with the chapters collected in eighteen tankōbon volumes. The story revolves around Kenzo Tenma, a Japanese surgeon living in Düsseldorf, Germany whose life enters turmoil after getting himself involved with Johan Liebert, one of his former patients, who is revealed to be a dangerous serial killer. Urasawa later wrote and illustrated the novel Another Monster, a story detailing the events of the manga from an investigative reporter's point of view, which was published in 2002. The manga was adapted by Madhouse into a seventy-four episode anime television series, which aired on Nippon TV from April 2004 to September 2005. The manga and anime were both licensed by Viz Media for English releases in North America, and the anime was broadcast on several television channels. In 2013, Siren Visual licensed the anime for Australia.

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Monster was Urasawa's first work to receive international acclaim and success; the manga has sold over 20 million copies, making it one of the best-selling manga series in history. The manga has won several awards, and its anime adaptation has been called one of the best of the decade. Dr. Kenzo Tenma is a young Japanese brain surgeon, working at Eisler Memorial Hospital in Düsseldorf, West Germany. Tenma is dissatisfied with the political bias of the hospital in treating patients, and seizes the chance to change things after a massacre brings fraternal twins Johan and Anna Liebert into the hospital. Johan has a gunshot wound to his head, and Anna mutters about killing; Tenma operates on Johan instead of the major, who arrived later. Johan is saved, but Major Roedecker dies; Tenma loses his social standing. Director Heinemann and the other doctors in Tenma's way are mysteriously murdered, and both children disappear from the hospital. The police suspect Tenma, but they have no evidence and can only question him. Nine years later, Tenma is Chief of Surgery at Eisler Memorial. After saving a criminal named Adolf Junkers, Junkers mutters about a "monster." Tenma returns with a clock for Junkers, he finds the guard in front of Junkers' room dead and Junkers gone.

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Following the trail to the construction site of a half-finished building near the hospital, Tenma finds Junkers held at gunpoint. Junkers warns him against coming closer and pleads with him to run away. Tenma refuses, and the man holding the gun is revealed to be Johan Liebert. Despite Tenma's attempts to reason with him, Johan shoots Junkers. Telling Tenma he could never kill the man who saved his life, he walks off into the night, with Tenma too shocked to stop him. Tenma is suspected by the police, particularly BKA Inspector Lunge, and he tries to find more information about Johan. He soon discovers that the boy's sister is living a happy life as an adopted daughter; the only traces of her terrible past are a few nightmares. Tenma finds Anna, who was subsequently named Nina by her foster parents, on her birthday; he keeps her from Johan, but is too late to stop him from murdering her foster parents. Tenma eventually learns the origins of this "monster": from the former East Germany's attempt to use a secret orphanage known as "511 Kinderheim" to create perfect soldiers through psychological reprogramming, to the author of children's books used in a eugenics experiment in the former Czechoslovakia. Tenma learns the scope of the atrocities committed by this "monster", and vows to fix the mistake he made by saving Johan's life. Urasawa revealed that he pitched the idea of ​​writing a manga about the medical field around 1986, but could tell his editor was not enjoying the idea.

So he jokingly proposed a story about women's judo, and that leads to his first solo work Yawara! The original idea for Monster came from the 1960s American television series The Fugitive, which had a strong impact on Urasawa when he saw it at the age of eight. In the story, a doctor is wrongfully convicted of murder, but escapes and searches for the real killer while on the run from the police. He said that his editor was adamant that the series would not do well, and tried to stop him from creating it. The Japanese medical industry was strongly influenced by the professional practices in Germany, thus it seemed natural to the author to set Monster in Germany. Post-war Germany was chosen so that the neo-Nazi movement could be included in the story. When he started the semimonthly Monster at the end of 1994, Urasawa was already writing Happy! When Happy! ended in 1999, he began the weekly 20th Century Boys.

Writing both Monster and 20th Century Boys at the same time caused him to be briefly hospitalized for exhaustion. Written and illustrated by Naoki Urasawa, Monster was published in Big Comic Original from December 1994 to December 2001. The 162 chapters were periodically collected into 18 tankōbon volumes published by Shogakukan, the first on 30 June 1995 and the last on 28 February 2002. Takashi Nagasaki is credited as "co-producer" of the manga's story. The series has also received domestic releases in other countries, such as in Germany by Egmont Manga & Anime, in France and the Netherlands by Kana, in Spain by Planeta DeAgostini, in Brazil by Conrad Editora and later by Panini Brasil, in Argentina by Larp Editores, in Taiwan by Tong Li Publishing, and in Mexico by Grupo Editorial Vid. The manga series was adapted into an anime by Madhouse, which aired between 7 April 2004 and 28 September 2005 on Nippon TV. Directed by Masayuki Kojima and written by Tatsuhiko Urahata, it features original character designs by long-time Studio Ghibli animator Kitarō Kōsaka which were adapted for the anime by Shigeru Fujita. The anime includes an instrumental theme by the Chilean folk music group Quilapayún, "Transiente", which originally appeared on their 1984 album Tralalí Tralalá. David Sylvian was commissioned to write the ending theme, "For the Love of Life", on which he collaborated with Haishima Kuniaki. An English dub of Monster was produced by Salami Studios for Viz Media, which had the North American license to the anime.

The show aired on Syfy's Ani-Mondays with two episodes back-to-back each Monday night at 11:00 pm EST, beginning 12 October 2009, as well as on its sister network Chiller. A DVD box set of the series, containing the first 15 episodes was released 8 December 2009. However, due to low sales of the first box set, Viz decided not to continue releasing the remaining episodes on DVD and later dropped the license. Funimation Channel on April 3, 2010 on weekends at 12:30 am. The series is also available digitally from several internet retailers. In 2005, it was announced that New Line Cinema acquired the rights for an American live-action film adaptation of Monster. Academy Award-nominated screenwriter Josh Olson (A History of Violence) was hired to write the screenplay. No new information on the film was released since. In 2013, it was revealed that Guillermo del Toro and the American premium television network HBO were collaborating on a pilot for a live-action TV series based on Monster. Co-executive producer Stephen Thompson (Doctor Who and Sherlock) was writing the pilot, while del Toro was to direct it and be an executive producer alongside Don Murphy and Susan Montford. In 2015, del Toro told Latino-Review that HBO had passed on the project and that they were in the process of pitching to other studios. Monster has been critically acclaimed. YALSA placed it on their 2007 Great Graphic Novels for Teens list. In 2009, when Oricon conducted a poll asking which manga series the Japanese people wanted to see adapted into live-action, Monster came in fifth.

At the 2009 Industry Awards held by the Society for the Promotion of Japanese Animation, the organizers of Anime Expo, Monster won the award for Best Drama Manga. The Monster manga has over 20 million copies in circulation. Writing for Time, Pulitzer Prize for Fiction winner Junot Díaz praised the manga, proclaiming "Urasawa is a national treasure in Japan, and if you ain't afraid of picture books, you'll see why". About.com's Deb Aoki called Monster a multi-layered suspense series and satisfying mystery that stands up to repeat readings, although it is sometimes a "little hard to follow". Kimlinger deemed the art "invisible perfection," never "showy or superfluous," with panels laid out so well that it is easy to forget how much effort is put into each and every page. UK Anime Network gave the first volume a perfect score based on the engrossing story, but felt the artwork, while appealing, was not "groundbreaking". On the other hand, Active Anime felt the art improved across the manga's serialization.

AESparrow of IGN described Monster as a "Hitchcock film set to manga" and felt its real strength comes from its huge cast of interesting characters, who each have "a unique story and history to relate". Casey Brienza was much more critical in her review of the last three volumes. THEM Anime Reviews called the anime adaptation "complex" and "beautiful", stating that it features "sophisticated storytelling and complex plot weaving, memorable characters, godly production values ​​and excellent pacing". Darius Washington of Otaku USA named Monster one of the ten best anime of the past decade. Though he noted Viz Media's inability to acquire the original ending theme song due to licensing problems, Kimlinger also called their English dub of the series one of the best in recent memory. Kimlinger critiqued the series, however, for "its unhealthy fidelity to Naoki Urasawa's original manga", commenting that "there isn't a scene left out, only a handful added in, and as far as I can tell not a line of dialogue changed or omitted", as well as for its frequent habit of giving the spotlight to newly introduced characters instead of the main cast. Viz Media via Anime News Network. 25 June 2014. Retrieved 10 June 2019. MONSTER: THE PERFECT EDITION is the ultimate version of the acclaimed psychological crime thriller.

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Osmond, Andrew (6 July 2019). "Interview: Naoki Urasawa". Coats, Cayla (6 February 2019). "INTERVIEW: All You Need is a White Piece of Paper and Pen: A Conversation with Monster and 20th Century Boys Creator Naoki Urasawa". Schley, Matt (11 February 2016). "Monster's Naoki Urasawa Celebrated In Career-Spanning Exhibition". Macdonald, Christopher (8 July 2005). "Live Action Monster Movie Screenwriter". Manry, Gia (20 October 2010). "Universal, Illumination Get Film Rights for Urasawa's Pluto Manga". Anime News Network. Retrieved 12 June 2021. New Line Cinema acquired the film rights to Urasawa's manga Monster in 2005, and a writer was attached to the project, but no new information on the film has been released since. Chavez, Kelvin (16 October 2015). "Exclusive: Talking 'Crimson Peak' With Guillermo del Toro". Saabedra, Humberto (16 October 2015). "Guillermo Del Toro Offers Update On Status of "Monster" Adaptation". Pineda, Rafael Antonio (24 October 2015). "Guillermo del Toro: Live-Action Monster is 'Out of HBO'". Agency for Cultural Affairs.: (in Japanese).MONSTER」がハリウッドで実写映画化。 Junot Díaz (3 July 2008). "The Psychotic Japanese Mastermind". Time. Anime News Network. Aoki, Deb. "2008 Best Continuing Manga List".

Scott Shelly ( Hangul:셸리 ) is one of the female protagonists in the webtoon. She begins a one-sided relationship with Jay at the start of the series but as the story progress they have a mutual crush on each other and as of chapter 378 they are in a relationship. Shelly is the only female member of the Humming Bird Crew. Because she stayed at England before coming to Korea her personality is perceived as very headstrong. She does not like it when people talk badly about her friends, especially Jay. Shelly also has a lot of stamina and strength, she can keep up with the group's pace when racing and can actually send people flying with her punch (Although that may be for comedic reasons) but never got into the street fights with the guys of the crew. When she was hit on in her first appearance on the series she refused with a lot of sass. Mia described her as someone who can confidently express her thoughts and feelings. Although her words are harsh, it is because she never sugar coated her words with her friends. And with Jay, Shelly is very clingy and flirtatious. She has very foreign features: pale skin, her eyes actually look more mint green in color than blue, blond wavy hair. It is known later in the series that she has a tattoo in the side of her arm near the wrist that reads out "temet nosce" or "Know Thyself". At school she wears her uniform usually without the red vest and both wears the skirt and pants.

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