What Does Bishoujo Stand For

In Japanese popular culture, a bishōjo (美少女, lit. Bishōjo characters appear ubiquitously in media including manga, anime, and computer games (especially in the bishojo game genre), and also appear in advertising and as mascots, such as for maid cafés. An attraction towards bishōjo characters is a key concept in otaku (manga and anime fan) subculture. The development of the bishōjo aesthetic in manga of the early 1980s marked a departure from previous realistic styles, and the emergence of the aesthetic of "cute eroticism " (kawaii ero) and moe. The bishōjo character type emerged in the lolicon boom of the early 1980s, particularly in the works of manga artist Hideo Azuma. Azuma's characters combined the round bodies of Osamu Tezuka characters and the round and emotive faces of shōjo manga. At the time, the dominant style in seinen and pornographic manga was gekiga, a realistic style characterized by sharp angles, dark hatching, and gritty lines; in contrast, Azuma's work displayed light shading and clean, circular lines. In doing so, Azuma developed "cute eroticism" (kawaii ero), a form of eroticism based on manga-style characters. Lolicon (derived from "Lolita complex") was one of several terms referring to this expansion in cute characters in manga and anime, and a corresponding attraction to and affection for such characters. Synonyms include "two-dimensional complex" (nijigen konpurekkusu), "two-dimensional fetishism" (nijikon fechi), "two-dimensional syndrome" (nijikon shōkōgun), "cute girl syndrome" (bishōjo shōkōgun), and simply "sickness" (byōki).

Bishōjo characters tend to attract males.

Another creator strongly associated with the boom was Rumiko Takahashi, whose character Lum Invader from her breakout manga Urusei Yatsura (1978-1987) gained immense popularity. The fans were responding to characters, without a doubt. Actually, to me, Urusei Yatsura is really an ancestor of bishōjo games and moe media- a completely useless male character is surrounded by all these cute girl characters, including Lum, an alien girl who wears a bikini and is in love with this male character. Bishōjo characters are typified by design elements (such as personality archetypes, clothing, and accessories) that are known and acknowledged by the audience. Bishōjo characters appear in almost all genres of anime and manga and in many video games, especially in dating sims and visual novels, sometimes to get more players or simply just to make a game look good. Bishōjo characters tend to attract males. Bishōjo characters sometimes are the most popular female characters as most people like anime, manga, dating sims, and visual novels more when the art stands out, looks pretty, and has beautiful females. Games that are made with the intent of featuring bishōjo characters are known as bishōjo games. Because visual novels are considered games as well, bishōjo games also encapsulate visual novels made with the intent of featuring bishōjo characters.

Although bishōjo games are made with a male audience in mind, they can extend to a female audience as well, such as the Touhou project. Although bishōjo is not a genre but a character design, the series which predominantly feature such characters, such as harem anime and visual novels, are sometimes informally called bishōjo series. The characters and works referred to by the term bishōjo are typically intended to appeal to a male audience. Since one of the main draws of these series is typically the art and the attractive female characters, the term is occasionally perceived negatively, as a genre which is solely dependent on the marketability of beautiful characters rather than the actual content or plot. The word bishōjo is sometimes confused with the similar-sounding shōjo ("girl") demographic, but bishōjo refers to the gender and traits of the characters it describes, whereas shjo refers to the gender and age of an audience demographic - manga publications, and sometimes anime, described as "shōjo" are at young female audiences. Bishōjo is not to be confused with bishōnen - beautiful boy. It is also not to be confused with moe - which is a definition for a genre of entertainment which features cute/adorable girls rather than "sexy" girls. Nozawa, Shunsuke (2013). "Characterization". Galbraith, Patrick W. (2019). Otaku and the Struggle for Imagination in Japan. Durham: Duke University Press. This anime-related article is a stub. You can help Wikipedia by expanding it.

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Moon Breathing (月 (つき) (こ) (きゅう), Tsuki no koky? ) is a Breathing Style derived from the Sun Breathing used by Upper Rank One, Kokushibō, who was one of the first Demon Slayers who utilized breathing techniques. The techique allows the user to create many "chaotic blades" when slashing that varies in length and size. It is known that Kokushibō continued to develop and add techniques to the Breathing Style over the centuries as an immortal Demon. At this point in the story, it is the only known Breathing Style to possess at least 20 different techniques, easily surpassing the other Breathing Styles. It has been revealed that, like all of the other original breathing styles, the Moon Breathing also branched out of the Sun Breathing. When its creator, Michikatsu Tsugikuni, attempted to learn the Sun Breathing from his twin brother, Yoriichi Tsugikuni, he discovered he was unable to master the breathing style and so was instead trained in an alternate Breathing Style. Yoriichi created it fit and cover his individual strengths and weaknesses, and Michikatsu then continued to train and develop this breathing until it eventually evolved into its own unique Breathing Style, which he named the Moon Breathing.

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First Form: Dark Moon, Evening Palace (壹 (いち) (かた) (やみ) (づき) (よい) (みや), Ichi no kata: Yamidzuki - Yoi no Miya?) - Kokushibō draws his sword and slashes swiftly in a single motion; like with all Moon Breathing techniques, numerous chaotic blades originate from the slash. This technique resembles Iaijutsu. Second Form: Pearl Flower Moongazing (貳 (に) (かた) (しゅ) (か) (ろう) (げつ), Ni no kata: Shuka no Rōgetsu?) - Kokushibō performs several slashes while sending a barrage of chaotic blades forward. Third Form: Loathsome Moon, Chains (參 (さん) (かた) (えん) (き) (づき) (つが), San no kata: Enkizuki - Tsugari?) - Kokushibō swings his sword rapidly in two gigantic crescents slashes, from which a storm of smaller crescents spread.

This technique causes huge destruction in a small area. Fourth Form: Solar Rings, Frostmoon (肆 (し) (かた) (たい) (よう) (りん) (しも) (づき), Shi no kata: Taiyōrin - Shimodzuki?) - Kokushibō performs a circular small cyclone slashes of chaotic blades straight towards his opponent. Fourth Form: Improved, Red Sun over Paradise (肆 (し) (かた) (かい) (あっき) (よう) (らく) (えん), Shi no kata kai: Akk' yō Rakuen?) - Kokushibō spins his blade slicing through the ground and ripping it out. Causing multiple 180 slashes across the area to be sented towards his opponents as chaotic blades appear when near the enemy slicing into their body. As the circular slashes spin grinding into the enemys skin.

Fifth Form: Moon Spirit Calamitous Eddy (伍 (ご) (かた) (げっ) (ぱく) (さい) (か), Go no kata: Geppaku Saika?) - Kokushibō makes multiple curved slashes layered over one another, resembling a rising vortex. Numerous chaotic blades originate from these slashes. Kokushibō performed this attack without swinging his blade. Sixth Form: Perpetual Night, Lonely Moon - Incessant (陸 (ろく) (かた) (とこ) (よ) (こ) (げつ) (む) (けん), Roku no kata: Tokoyo Kogetsu - Muken?) - Kokushib releases a wild storm of slashes in multiple directions. This technique was powerful enough to not only slice up multiple Hashira around him but also overwhelm the Wind Hashira Sanemi Shinazugawa.

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Seventh Form: Mirror of Misfortune, Moonlit (漆 (しち) (かた) (やっ) (きょう) (づき) (ば), Shichi no kata: Yakkyō - Dzukibae?) - Kokushibō swings his sword in a powerful frontal slash that then creates a multi directional frontal assault, powerful enough to create several deep gouges in the ground and push back two Hashira. Eighth Form: Moon-Dragon Ringtail (捌 (はち) (かた) (げつ) (りゆう) (りん) (び), Hachi no kata: Getsuryū Rinbi?) - Kokushibō triples the range of his normal attack radius and creates a singular gigantic slash that slowly decreases in size.

Ninth Form: Waning Moonswaths (玖 (く) (かた) (くだ) (づき) (れん) (めん), Ku no kata: Kudaridzuki - Renmen?) - Kokushibō creates a seemingly endless stream of claw-like vertical and horizontal slashes, capable of cutting down his intended target from a long range. Tenth Form: Drilling Slashes, Moon Through Bamboo Leaves (拾 (じゅう) (かた) (せん) (めん) (ざん) (ら) (げつ), Jū no kata: Senmenzan - Ragetsu?) - Kokushibō creates a triple-layered slash twister, capable of mowing down his targets into three clean pieces.

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