Much like in real life, video game characters go through a process of change. They live through the experiences that players take them through and grow from them into different and (hopefully) better people. Kingdom Heart 4's Sora is no different. Despite seemingly disappearing at the end of the third main series title, Square Enix has confirmed that Sora will be returning in Kingdom Hearts 4 and the key to the upcoming 'Lost Master' arc. The mainstay Kingdom Hearts games take place within a period of about two years and that includes the events of spin-offs like Chain of Memories and Dream Drop Distance. Although two years may not seem like a long time, plenty of things have happened to Kingdom Hearts protagonist Sora that is sure to change a person. And Sora has definitely changed over the course of the series, in more ways than one. Here's how Sora has grown since the events of the first Kingdom Hearts.
One of the most obvious ways that Sora has changed in Kingdom Hearts is his design. This make the most sense as not only have the times changed in reality in terms of graphics since the original game's release in 2002, but the characters within Kingdom Hearts have grown and matured alongside it. Sora is said to be around 14 years old when his worlds-saving adventures began in Kingdom Hearts and by Kingdom Hearts 3, he's around 16 years old. Hence, it makes sense that he would look more mature over the years - with his face losing its childish roundness and his body becomes more elongated reflected in his design over the years. Before the events of Kingdom Hearts, no one really knew what a keyblade even was - at least, not anyone living on Destiny Islands. When the remote island paradise was suddenly attacked by Heartless, Sora obtains the mysterious keyblade that unexpectedly appears, allowing him the ability to fight off the encroaching Heartless. Despite not officially becoming a 'keyblade master' by Kingdom Hearts 3 years later due to failing his Mark of Mastery exam, his ability to wield the keyblade is technically on the same level since he was able to regain the Power of Waking used to save Kairi. Although he isn't exactly a keyblade master, Sora is very much a master of heart.
39;t changed about Sora is his ability to maintain positivity, even through incredibly tough times.
He seems to understand matters of heart better than anyone else in the Kingdom Hearts franchise. Due to his understanding of heart, Sora was able to realize the strength of his heart - bolstered by his friendships - was powerful enough to recall the keyblade that was snatched away by Riku by the end of the first Kingdom Hearts itself. Thanks to this, he was also able to figure out quite quickly that Roxas, Axel, Namine, and Xion did indeed have hearts, despite them being Nobodies - although partial thanks to some retcons made in Kingdom Hearts. However, one of the things that definitely hasn't changed about Sora is his ability to maintain positivity, even through incredibly tough times. He's a teenager tasked to save the world. Not only that, but losing one's friends is hard - losing the love of your life, even more so. Thankfully, Sora has been able to rise above the adversity and push through, doing what needs to be done to get the job done at the end of the day, even if it means sacrificing his own life. Hopefully his positive mental attitude doesn't change during the events of Kingdom Hearts 4, because it seems like he'll need it to get back to his friends and loved ones.
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The Quintessential Quintuplets (Japanese:, Hepburn: Go-Tōbun no Hanayome, lit. Japanese manga series written and illustrated by Negi Haruba. It was serialized in Kodansha's Weekly Shōnen Magazine from August 2017 to February 2020, with its chapters collected into fourteen tankōbon volumes. The series follows the daily life of a high school student Futaro Uesugi, who is hired as a private tutor for a group of identical quintuplets: Ichika, Nino, Miku, Yotsuba, and Itsuki Nakano. At the very beginning of the story, it is shown that the events are being told in a flashback, while an adult Futaro prepares to marry one of the Nakano Quintuplets whose identity is only revealed near the end of the series. The series is published in English by Kodansha USA under the Kodansha Comics imprint. The anime series is licensed in North America under a Crunchyroll-Funimation partnership. An anime television series adaptation produced by Tezuka Productions aired from January to March 2019 on TBS and other channels. The series is a commercial success, being the 5th best-selling manga in 2019, and the 3rd best-selling manga in the first half of 2020 in Japan. In 2019, the manga won the award for the shnen category at the 43rd annual Kodansha Manga Awards. High school student Futaro Uesugi is an academically gifted student that leads a difficult life-his mother has died, he has no friends, and on top of all that, his father has incurred a large amount of debt. An opportunity presents itself when the rich Nakano family transfers to his school.
39;s previous work, Karma of Purgatory (2014-2015), but was very simple at that time.
Futaro is promptly hired as a highly paid tutor. However, much to Futaro's dismay, he discovers that his five charges-identical quintuplet sisters of varied personalities-have no interest in studying at all and have abysmal grades. Some of the quintuplets are against having Futaro, whom they view as a stranger, in their apartment, but Futaro's diligent tenacity gradually convinces those girls to accept him and to improve their grades. Throughout the series, Futaro develops special relationships with each of the quintuplets. Through a flashforward, it is revealed that he eventually marries one of them, but her true identity is only revealed near the end of the series. The idea of "a group of quintuplets falling in love with the same person" existed even before the serialization of Haruba's previous work, Karma of Purgatory (2014-2015), but was very simple at that time. The idea was denied by his editor-in-charge. A year after, after the end of Karma of Purgatory, he discussed with his editor-in-charge what to serialize next.
Haruba said it might be a reference to Super Sentai when he came up with this idea.
Among the few ideas being come up with, the "quintuplets" idea was included again, which was accepted by the editor this time. After failures in two to three serialization committees, finally, it was decided to have a one-shot manga published first. The one-shot received positive reviews and therefore went on to serialization. It was decided the protagonist should be quintuplets at the very beginning. When later the idea of quadruplets and sextuplets was raised, it was rejected very quickly, around 30 seconds. Haruba said it might be a reference to Super Sentai when he came up with this idea. Similar to Super Sentai, Ichika (yellow), Nino (black), Miku (blue), Yotsuba (green), and Itsuki (red) are all represented by a color. The design of the quintuplets started from his favorite existing female characters from "some slice-of-life works only with girls", around 15 to 20 of them. The idea of adding numbers in their names was after the design was almost confirmed.
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The hair color of the Nakano quintuplets is different when being colored, which was suggested by Haruba himself, such that they are more distinguishable from each other. The hair color of the bride in the flashforward is, therefore, a colour-in-between. The flashforward showing that Futaro will eventually marry only one of the Nakano quintuplets was added in order to eliminate the possibility of Futaro marrying all five of them. It was also decided that all quintuplets would have negative feelings towards Futaro from the beginning, because Haruba wanted to write how their relationships improved from hate to love in the story, except Yotsuba, who acts as Futaro's guide for the development of the story. While it is often the norm for harem romantic comedy manga to have sexualized depictions of characters, Haruba has said that he tried to avoid this to some extent after Vol. In his opinion, showing panties which are being worn, ie To keep the characters interesting, the sexy scenes were intended by him to be ambiguous but not straightforward, leading to readers' imagination. The swimsuit appearance of the Nakanos was finally revealed in Ep.
92 as Haruba thought an episode of swimsuits should exist before finishing the story. The Quintessential Quintuplets is written and illustrated by Negi Haruba. Before the serialization, a one-shot manga of the same name had been published in 2017 issue 8 of Kodansha's Weekly Shōnen Magazine on August 9, 2017, and received positive comments. On December 4, 2019, Haruba announced that the series would end on its 14th tankōbon volume. The series finished on February 19, 2020, with a total of 122 chapters. The series has been published in English by Kodansha USA under their Kodansha Comics imprint digitally since June 28, 2018, with a line of physical releases beginning publication on January 1, 2019. By August 2020 and July 2021 respectively, all fourteen volumes have been published digitally and physically. In October 2017, a television commercial for the manga was released where Ayane Sakura voiced all five girls. The series is directed by Satoshi Kuwabara and written by Keiichirō chi, featuring animation by Tezuka Productions, character designs by Michinosuke Nakamura and Gagakuga, and music by Natsumi Tabuchi, Hanae Nakamura, and Miki Sakurai. The series aired from January 10 to March 28, 2019 on the TBS, SUN, and BS-TBS channels. The series ran for 12 episodes. Crunchyroll streamed the series with Funimation providing the English dub as it airs. Although Tezuka Productions was the main animation studio behind the series, TBS producer Junichirou Tanaka stated that he asked for help from Shaft president Mitsutoshi Kubota for assistance in producing the series' 11th episode. It was ultimately decided that the studio would be outsourced to for the entire episode save for the episode's storyboards, which were drawn by series director Satoshi Kuwabara; however, all other animation, coloring, and compositing aspects of the episode were produced entirely at Shaft.