Is MAPPA Better Than Wit

Attack on Titan is one of the most legendary anime of all time, and it's easy to see why this is the case. The stellar storytelling of the series coupled with some brilliant animation sets this anime a class apart from its competitors. With Part 3 of the Final Season coming next year, fans can't wait to see how MAPPA will deliver a fantastic conclusion for this anime series. After all, this studio has done a brilliant job of carrying forward Attack on Titan's legacy after Wit Studio's amazing work on the series. Many people still worry about whether MAPPA was the best choice for the series' continuation, while others find this studio to be doing better work than its predecessor! A detailed breakdown of both studios' strongest points is mentioned below. Wit Studio did a lot of things right with the first three seasons, but not everything was up to the mark. Their CGI Titans were abysmal and made these behemoths look almost silly at times. MAPPA does a great job of integrating both CGI scenes and hand-drawn sequences to make these 3D scenes look better than ever before. It's one of the biggest achievements of this studio. However, while Wit Studio loses out in the 3D department, their 2D sequences are brilliant in every way. This is especially true in the case of the Titans, who look amazing in their art style. Given how much MAPPA is on CGI for their Titans, it's easy to see why Wit Studio excels in this department. However, this difference in quality is minor, and MAPPA has still done a brilliant job regardless.

Wit Studio took the term adaptation literally, adding and moving around several scenes from the manga according to their own judgment. MAPPA's faithful adaptation has its merits too. No scene from the manga is cut, which is great given how much the series jumped in quality with Isayama's art style improving over time. This was a pretty major issue in Season 3, where fans felt like Wit Studio took too many liberties with the source material. This might be a minor complaint, but something that should be brought up regardless. MAPPA has done an excellent job of adapting the final season, but its trailers definitely misled some fans into expecting scenes of a more epic nature. Mikasa's entry in Season 4 is notably different from her appearance in the manga. There's also a shot of Eren rampaging in Liberio, which is notably absent from the final product. Static scenes with dialogue can always bog the pacing down. This is something that Wit Studio struggled with time and time again over the course of the first three seasons. These scenes are present in Season 4 as well, but the combination of music and cinematography during these scenes makes them more heart-pounding and nerve-wracking than ever before.

There was a greater focus on the ODM Gear and its uses in the first few seasons.

It's one area of ​​the adaptation that MAPPA has excelled in across the board. The early run of Attack on Titan's manga was pretty rough. The art style wasn't particularly great, which could've made the early adaptation of this series somewhat challenging. So, Wit Studio should be recommended for not only making the show look gorgeous during these moments but also for adding some extra things to improve the overall quality of the adaptation. The fight against Annie in Stohess District is a great example of the same, with the studio adding additional scenes where Eren finally makes up his mind to fight his friend, while the manga just had one solitary line from Mikasa that was enough to convince Eren instead. It's already been established before that MAPPA was extremely faithful to the manga. This applies to their art styles as well, with character designs being pretty great. Along with this, their personalities also don't deviate from Isayama's work. Mikasa is a character who suffered from constantly obsessing over Eren in the first three seasons, while the manga actually featured some great character development for her. The latter has been retained in MAPPA's adaptation, which is important given how big a role she plays near the ending of the series. There was a greater focus on the ODM Gear and its uses in the first few seasons. So, it was important for these scenes to be animated beautifully, and Wit Studio did a brilliant job in this regard. While MAPPA has done a brilliant job with these scenes as well, they fall just short of the high standards set by Wit Studio.

39;ve possibly looked out of place during this arc, so this change was ultimately for the better.

ODM Gear scenes would still be appreciated regardless. Both studios have used differing art styles for their respective take on Attack on Titan's adaptation. As a result, MAPPA's darker art style is perfect to show the horrors of war. Wit Studio's brighter colors could've possibly looked out of place during this arc, so this change was ultimately for the better. Before the timeskip, most people can argue that Attack on Titan leaned heavily on its shonen trappings before the scope of the anime expanded. As a result, the brighter colors present in Wit Studio's adaptation were a perfect fit. With the post-timeskip period being way darker and heavy-handed, some people could argue that Wit Studio's art style would've clashed with the themes of this season. It's possible that Wit Studio could've changed its art style accordingly, but MAPPA's adaptation will render this situation to be nothing more than a hypothetical one.

Remember Your First Manga Lesson? I've Got Some News...

The Quintessential Quintuplets (Japanese:, Hepburn: Go-Tōbun no Hanayome, lit. Japanese manga series written and illustrated by Negi Haruba. It was serialized in Kodansha's Weekly Shōnen Magazine from August 2017 to February 2020, with its chapters collected into fourteen tankōbon volumes. The series follows the daily life of a high school student Futaro Uesugi, who is hired as a private tutor for a group of identical quintuplets: Ichika, Nino, Miku, Yotsuba, and Itsuki Nakano. At the very beginning of the story, it is shown that the events are being told in a flashback, while an adult Futaro prepares to marry one of the Nakano Quintuplets whose identity is only revealed near the end of the series. The series is published in English by Kodansha USA under the Kodansha Comics imprint. The anime series is licensed in North America under a Crunchyroll-Funimation partnership. An anime television series adaptation produced by Tezuka Productions aired from January to March 2019 on TBS and other channels. The series is a commercial success, being the 5th best-selling manga in 2019, and the 3rd best-selling manga in the first half of 2020 in Japan. In 2019, the manga won the award for the shnen category at the 43rd annual Kodansha Manga Awards. High school student Futaro Uesugi is an academically gifted student that leads a difficult life-his mother has died, he has no friends, and on top of all that, his father has incurred a large amount of debt. An opportunity presents itself when the rich Nakano family transfers to his school.

Throughout the series, Futaro develops special relationships with each of the quintuplets.

Futaro is promptly hired as a highly paid tutor. However, much to Futaro's dismay, he discovers that his five charges-identical quintuplet sisters of varied personalities-have no interest in studying at all and have abysmal grades. Some of the quintuplets are against having Futaro, whom they view as a stranger, in their apartment, but Futaro's diligent tenacity gradually convinces those girls to accept him and to improve their grades. Throughout the series, Futaro develops special relationships with each of the quintuplets. Through a flashforward, it is revealed that he eventually marries one of them, but her true identity is only revealed near the end of the series. The idea of ​​"a group of quintuplets falling in love with the same person" existed even before the serialization of Haruba's previous work, Karma of Purgatory (2014-2015), but was very simple at that time. The idea was denied by his editor-in-charge. A year after, after the end of Karma of Purgatory, he discussed with his editor-in-charge what to serialize next.

Haruba said it might be a reference to Super Sentai when he came up with this idea.

Among the few ideas being come up with, the "quintuplets" idea was included again, which was accepted by the editor this time. After failures in two to three serialization committees, finally, it was decided to have a one-shot manga published first. The one-shot received positive reviews and therefore went on to serialization. It was decided the protagonist should be quintuplets at the very beginning. When later the idea of ​​quadruplets and sextuplets was raised, it was rejected very quickly, around 30 seconds. Haruba said it might be a reference to Super Sentai when he came up with this idea. Similar to Super Sentai, Ichika (yellow), Nino (black), Miku (blue), Yotsuba (green), and Itsuki (red) are all represented by a color. The design of the quintuplets started from his favorite existing female characters from "some slice-of-life works only with girls", around 15 to 20 of them. The idea of ​​adding numbers in their names was after the design was almost confirmed.

The hair color of the Nakano quintuplets is different when being colored, which was suggested by Haruba himself, such that they are more distinguishable from each other. The hair color of the bride in the flashforward is, therefore, a colour-in-between. The flashforward showing that Futaro will eventually marry only one of the Nakano quintuplets was added in order to eliminate the possibility of Futaro marrying all five of them. It was also decided that all quintuplets would have negative feelings towards Futaro from the beginning, because Haruba wanted to write how their relationships improved from hate to love in the story, except Yotsuba, who acts as Futaro's guide for the development of the story. While it is often the norm for harem romantic comedy manga to have sexualized depictions of characters, Haruba has said that he tried to avoid this to some extent after Vol. In his opinion, showing panties which are being worn, ie To keep the characters interesting, the sexy scenes were intended by him to be ambiguous but not straightforward, leading to readers' imagination. The swimsuit appearance of the Nakanos was finally revealed in Ep.

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