Is Deku A Rogue

Deku just had no choice but to do the unthinkable in chapter 313 of My Hero Academia: Wielding a new quirk for the very first time while using another. This situation is unprecedented on countless levels. Already, very few characters possess numerous quirks, so the vast majority of heroes and villains can't even attempt to do something as crazy as this even if they wanted to. Of the few who can, even less, if any, have tried because of the danger involved. Unfortunately, Deku is forced to when Lady Nagant gives him no other option. Deku is in this unfortunate predicament to begin with because All For One set his sights on obtaining his One For All quirk. To minimize the chance of his classmates getting caught in the crossfire, Deku went rogue and left UA High. But because he's just a kid, All Might, along with the top three heroes--Endeavor, Hawks, and Best Jeanist--volunteered to keep a close watch on the rogue hero in training, and they were doing a pretty good job until Lady Nagant, another rare multi-quirk user, got involved. It's clear that All For One understood that Japan's heroes would try to lure him out because it explains why he hired the hero traitor and assassin Lady Nagant to bring Deku in alive. So far, she's been rather successful in not only isolating Deku from his guardians but also in forcing him to resort to using multiple quirks.

And the reason why Deku has access to so many quirks is that he just so happened to get One For All at the right time. Plus, Deku naturally being quirkless helps. Up until now, Deku has used Daigoro Banjo's Blackwhip, Hikage Shinomori's Danger Sense, and En's Smokescreen; the fifth, fourth, and sixth One For All users, respectively. But because Lady Nagant can curve the trajectory of her bullets, Deku is coming under heavy fire, regardless of how much space he puts between himself and his pursuer. Even though Danger Sense is allowing him to dodge her bullets, Deku won't be able to do so for much longer. His best strategy is to use a combination of quirks. First, he releases En's Smokescreen to create some momentary cover to set his plan in motion. Then he throws Gran Torino's cape in the air to act as a diversion. Next, as Lady Nagant focuses all of her attention on Torino's cape, Deku proceeds to summon for the very first time the third's Fajin quirk, which releases the user's internal power in an explosive manner, propelling Deku up into the air to grab Lady Nagant's arm. This is My Hero Academia presenting yet another example of how Deku has been thrust into situations that have forced him to make rash decisions. Just those moments before trying to summon the third's Fajin, Deku releases so much Smokescreen that the sixth is compelled to materialize and mention that he is making a risky move. En should have realized, however, that trying to stop Deku would have been a fruitless endeavor because he's already proven that he will do pretty much anything to do what's right. Deku has gone head-to-head with Shigaraki and Overhaul on his own, and originally inflicted an insane amount of pain on himself just to summon One For All. Putting himself at risk doesn't phase him at all. He'll keep on doing so to ensure he becomes My Hero Academia's number-one hero.

This is a huge turning point in his life and the beginning of our story.

It's almost Halloween, and what better way to spend October than watching psychological thrillers? If you're looking for an anime filled with suspense, amazing storytelling, and dynamic characters, Naoki Urasawa's 2004 anime series Monster gives us all of these things and more. It focuses on the life of Dr. Tenma, a brilliant Japanese brain surgeon working at Eisler Memorial Hospital in West Germany, 1986. He's the hospital's rising star and engaged to the daughter of the hospital's director when he's suddenly faced with a moral dilemma that shakes his core, forcing him to make life -changing decisions. An innocent man dies because Dr. Tenma followed orders to treat a patient of higher social and political status. He is devastated and horrified as the widow confronts him, realizing what following these orders had entailed. This is a huge turning point in his life and the beginning of our story. This moment leads him to make a decision that alters his life in ways he couldn't even begin to imagine. The dilemma Dr. Tenma had to face is one that is brought up throughout the entire series: is every life equal? Obviously, the answer is "yes," and Dr. Tenma tries to convey this time and time again.

The plot of Monster is imaginative, with a well executed story.

Starting because of the innocent man dying because he wasn't deemed as a priority by the hospital, Tenma performs surgery on a boy with a gun shot wound despite receiving orders to treat the major first. When Dr. Tenma decides to help this boy, he's completely unaware that he's reviving a "monster" and the antagonist of this story. Almost immediately, Dr. Tenma is faced with tragedies and mystery at the hands of this ten-year-old boy. Most of Monster takes place 10-12 years after this point, following a string of murders occurring around Germany. It doesn't take long before Dr. Tenma is standing face to face with the murderer, who then reveals that he was the young boy Tenma brought back to life ten years prior: Johan Liebert. He shoots Dr. Tenma's patient right before his eyes and walks away like a true psychopath: cool, calm, and menacingly slow. Thus begins Dr. Tenma's journey to take Johan down, pulling him out of the shadows and into broad daylight to prevent any more murders from happening. This proves to be no easy task, though, and Dr. Tenma soon discovers there is far more than meets the eye in his journey of rectitude. The plot of Monster is imaginative, with a well executed story. The mysteries, plot, and characters are all woven together so seamlessly, and everything made perfect sense as the story progressed, while also managing to surprise at every turn. The plot is beyond compelling and riddled with depth and intrigue.

Urasawa did a great job making the characters three-dimensional and real. These characters weren't good or bad, or cookie-cutter images of other characters. They were each their own person and brought something unique to the story. They made us reflect, they made us cry, and they made us feel. Every episode brings something new and enthralling. The characters are carefully developed along the way-heroes, villains, and everyone in between. There are a lot of different types of villains in Monster (with the big bad boss being Johan Liebert), which is a big part of what makes this series so great. There's not just one bad guy and a bunch of lackeys, but multiple villains of all calibers, with various levels of evil versus humanity, none of which are the same. Even Johan's followers have their own individuality as villains. Each one brings something different to the table, and we tend to hate each of these villains (or love to hate them) for different reasons.

39;re useless and unworthy of love, or even life itself.

First and foremost, there's Johan. If you like incredibly eerie, disturbing villains-the calm and collected ones that are secretly serial killers-you've come to the right place. Johan's the main antagonist of this story and Dr. Tenma's worst nightmare come to life. He constantly taunts the doctor and murders anyone in his way-sometimes for no reason at all other than he simply can. As the show progresses, secrets are revealed and more tragedies occur. We realize just how bad Johan really is and how much he seems to hustle as a villain (seriously, where does he find the time)? He is easily one of the creepiest villains in all of anime. Everything he does is meticulous, and he can't interact with anyone without ruining their lives or convincing them they're useless and unworthy of love, or even life itself. He's calculated, intelligent, and has no remorse; he knows exactly what he wants to do and will accomplish it at all costs. He isn't predictable either, which gives the story all the twists and turns it needs to be made even more interesting. While Johan is the calm, creepy evil mastermind, there are others walking adjacent paths, such as the recurring villain Roberto. This man is so easy to hate, which makes him a good villain in its own way. In contrast to Johan's insidiousness, Roberto's more of a brute force/macho man villain that you know can beat the life out of you without breaking a sweat. While Johan uses mind games to win his wars, Roberto uses his inhuman strength and size to barrel through obstacles and demolish his enemies.

He's seditious and lacks no remorse for his actions, much like Johan. However, he still bows down to Johan and does what he's ordered to. He also thinks of his own self-indulging antics as well, as seen through his multiple affairs and his toying with people. Part of what makes Johan more evil than Roberto is that Johan seems detached from being human altogether and doesn't care about following anyone's plans or desires other than his own. There are many other villains in this series with their own twists on evil as well. Some prove to be more human than what first appears, making their stories even more interesting. This series shows us we're all human and that there are blurred lines between good and evil. We are then begged to ask the question, "can truly evil people become good in the end?" Questions like these are threaded into the entire show and addressed in ways that make us stop and think. Where there are mighty villains, there are mightier heroes. No one can watch Monster and not root for Dr.

Tenma. He's the true MVP of the show. He starts out as an up-and-coming doctor paving his way into a bright future and then quickly ends up as an outlaw pursuing a phantom-type serial killer who some people, including Dr. Lunge at the BKA, refuse to believe is a real person. We find ourselves shouting "JOHAN IS NOT IN TENMA'S HEAD!" and rooting breathlessly for the doctor as he runs from the law and those wishing to cause him harm or kill him altogether. It's hard to not be on edge as the doctor pursues Johan and debates whether or not he should take away the life he gave to Liebert a decade prior. Something ending about Dr. Tenma is that no matter how much trouble he's in, he always stops to help someone in need, even if it's someone who actively fights against him. This is one of the ways he shows that he truly does believe all lives are equal. He doesn't pick and choose who he will save or give any type of medical attention to. He gives it to anyone who needs it, even if it gets him in trouble. Parallel to Dr. Tenma on the quest to take down Johan is Johan's twin sister, Nina Fortner (aka She and Johan grew up together until shortly after they were sent to the hospital the night Dr. Tenma treated Johan for his gunshot wound. After that, Anna became Nina and grew up in a nice home with adoptive parents who loved her, along with a memory problem blocking out any recollection of her childhood.

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