Lisa works at a Retirement Home in a small seafaring village, right next door to her son Sosuke's kindergarten. She takes care of the elderly for a living while her husband Koichi works as the captain of a ship. One day her son finds a goldfish stuck in a bottle and she allows him to take care of it without much thought. Careening around the mountain roads, we find out that Lisa is a crazy driver, racing a docking ship to get to work on time. Shortly after she drops Sosuke off, he gets in trouble and Lisa saves him from the water after Ponyo is taken from him by her father and his water spirits. When they get home later that day, she encourages a sad Sosuke to leave his green pail as a signal for Ponyo to come home. Her husband ends up needing to take another shipping run and can not come home as promised, which makes Lisa angry.
She tells him to bug off in morse code with their home signal lamp. Sosuke encourages her this time and she bounces back into a happy mood. The next day, Ponyo returns in the form of a girl after opening the well of power and causing the ocean and weather to turn dangerous, tsunami sized waves and power outages forcing Lisa and Sosuke to go home early. Lisa appears to not know the concept of fear as she races the ocean itself to get back to their home on the high hillside just out of its reach. When Ponyo appears, Lisa accepts her just as she did when she was a fish, without a thought (even when she says her dad was an evil wizard and she swam away from home), and treats her as her own daughter. She feeds Sosuke and Ponyo honeyed tea and ramen, turning the scary storm into a fun game, distracting them with simple tasks like turning on the generator and setting up the radio antenna to contact the ships out at sea. When Ponyo falls asleep and the sea calms down, Lisa leaves Sosuke in charge of the house and taking care of Ponyo to go and help the seniors that might be stranded. Towards the end of the movie we find Lisa again, in conference with the Goddess of the Sea, Granmamare. According to the seniors, they had been talking all night and day. Granmamare appears to have explained to Lisa the weight of her responsibility if her son succeeds in saving Ponyo and swearing to love her forever.
She seems to be a local legend for this.
She would be Lisa's daughter now, and future daughter-in-law after Ponyo became human, after all. After the balance of nature is restored, Lisa promises Granmamare to take care of Ponyo, and Lisa's husband returns from the ocean with all the other ships. Original sketches of Lisa. Lisa is a young lightly tanned-skinned woman of average height. She has black eyes and dark brown/black hair styled into a bob cut, similar to Sosuke's. For most of the film she wears a dark blue shirt and white pants, with a pink apron around the house. Lisa is a loving, self-sufficient, and strong-willed woman. She is extremely headstrong and courageous, almost dangerously when it comes to her driving, but she always makes it out alright in the nick of time. She seems to be a local legend for this. Responsible and wise, she tries to raise Sosuke as best as she can, teaching him many seafaring skills such as morse code with signal lamps. She is still young and energetic, missing her husband and getting angry when he doesn't keep his promises to come home, but she doesn't hold grudges. A hero as well, she is compelled to go help the seniors even if it means leaving her children temporarily, and accepts Ponyo as her own without question. She is an outstanding mother and a great woman.
Moon Breathing (月 (つき) (こ) (きゅう), Tsuki no kokyū?) is a Breathing Style derived from the Sun Breathing used by Upper Rank One, Kokushibō, who was one of the first Demon Slayers who utilized breathing techniques. The techique allows the user to create many "chaotic blades" when slashing that varies in length and size. It is known that Kokushibō continued to develop and add techniques to the Breathing Style over the centuries as an immortal Demon. At this point in the story, it is the only known Breathing Style to possess at least 20 different techniques, easily surpassing the other Breathing Styles. It has been revealed that, like all of the other original breathing styles, the Moon Breathing also branched out of the Sun Breathing. When its creator, Michikatsu Tsugikuni, attempted to learn the Sun Breathing from his twin brother, Yoriichi Tsugikuni, he discovered he was unable to master the breathing style and so was instead trained in an alternate Breathing Style. Yoriichi created it fit and cover his individual strengths and weaknesses, and Michikatsu then continued to train and develop this breathing until it eventually evolved into its own unique Breathing Style, which he named the Moon Breathing.
Right here Is What You must Do In your Manga
First Form: Dark Moon, Evening Palace (壹 (いち) (かた) (やみ) (づき) (よい) (みや), Ichi no kata: Yamidzuki - Yoi no Miya?) - Kokushibō draws his sword and slashes swiftly in a single motion; like with all Moon Breathing techniques, numerous chaotic blades originate from the slash. This technique resembles Iaijutsu. Second Form: Pearl Flower Moongazing (貳 (に) (かた) (しゅ) (か) (ろう) (げつ), Ni no kata: Shuka no Rōgetsu?) - Kokushibō performs several slashes while sending a barrage of chaotic blades forward. Third Form: Loathsome Moon, Chains (參 (さん) (かた) (えん) (き) (づき) (つが), San no kata: Enkizuki - Tsugari?) - Kokushibō swings his sword rapidly in two gigantic crescents slashes, from which a storm of smaller crescents spread.
This technique causes huge destruction in a small area. Fourth Form: Solar Rings, Frostmoon (肆 (し) (かた) (たい) (よう) (りん) (しも) (づき), Shi no kata: Taiyōrin - Shimodzuki?) - Kokushibō performs a circular small cyclone slashes of chaotic blades straight towards his opponent. Fourth Form: Improved, Red Sun over Paradise (肆 (し) (かた) (かい) (あっき) (よう) (らく) (えん), Shi no kata kai: Akk' yō Rakuen?) - Kokushibō spins his blade slicing through the ground and ripping it out. Causing multiple 180 slashes across the area to be sented towards his opponents as chaotic blades appear when near the enemy slicing into their body. As the circular slashes spin grinding into the enemys skin.
Kokushibō performed this attack without swinging his blade.
Fifth Form: Moon Spirit Calamitous Eddy (伍 (ご) (かた) (げっ) (ぱく) (さい) (か), Go no kata: Geppaku Saika?) - Kokushibō makes multiple curved slashes layered over one another, resembling a rising vortex. Numerous chaotic blades originate from these slashes. Kokushibō performed this attack without swinging his blade. Sixth Form: Perpetual Night, Lonely Moon - Incessant (陸 (ろく) (かた) (とこ) (よ) (こ) (げつ) (む) (けん), Roku no kata: Tokoyo Kogetsu - Muken?) - Kokushib releases a wild storm of slashes in multiple directions. This technique was powerful enough to not only slice up multiple Hashira around him but also overwhelm the Wind Hashira Sanemi Shinazugawa.
Manga May Not Exist!
Seventh Form: Mirror of Misfortune, Moonlit (漆 (しち) (かた) (やっ) (きょう) (づき) (ば), Shichi no kata: Yakkyō - Dzukibae?) - Kokushibō swings his sword in a powerful frontal slash that then creates a multi directional frontal assault, powerful enough to create several deep gouges in the ground and push back two Hashira. Eighth Form: Moon-Dragon Ringtail (捌 (はち) (かた) (げつ) (りゆう) (りん) (び), Hachi no kata: Getsuryū Rinbi?) - Kokushibō triples the range of his normal attack radius and creates a singular gigantic slash that slowly decreases in size.
Ninth Form: Waning Moonswaths (玖 (く) (かた) (くだ) (づき) (れん) (めん), Ku no kata: Kudaridzuki - Renmen?) - Kokushibō creates a seemingly endless stream of claw-like vertical and horizontal slashes, capable of cutting down his intended target from a long range. Tenth Form: Drilling Slashes, Moon Through Bamboo Leaves (拾 (じゅう) (かた) (せん) (めん) (ざん) (ら) (げつ), Jū no kata: Senmenzan - Ragetsu?) - Kokushibō creates a triple-layered slash twister, capable of mowing down his targets into three clean pieces.